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It’s excruciating, really: you’ve slaved over this script, spent endless hours pacing and buy north face pondering and trying this or that with varying degrees of desperation, and now that it’s done, you place all its fragile and complicated beauty into the hands of people you really know very little about. Will they get it? Will they understand what you meant? Will they see your characters’ nobility, or only their flaws, and make caricatures of them? Will they turn your play into something horrid?

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There was another rehearsal for The Death of Albatross last night. The director and actors added more depth and nobility and complexity Buy north face the characters than I could have ever hoped for. They took what I’d put on the page and, through their own skill and open-heartedness, made real people out of what had been just characters. They came up with insights about them, created memories for them, found their quirks and mannerisms — in fact, they came up with a lot of stuff I wish the north face buy I’d been good enough Buy north face put in the script in the first place. But then that would have left no room for their own genius, and part of the fun of theatre is leaving room for everyone else’s genius, and seeing what happens. I hope you can come Buy north face the show and see what these amazing people are doing. (Click on the link above Buy north face go Buy north face the show’s Face book page; if you “like” the page, you’ll get updates, trailers, the lot.)